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Remind Me Once Again What It Is Were Fighting for Red Hot Chili Peppers Lyric

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"Transcending" redirects hither. For other uses, see Transcension.

1995 studio album by Cerise Hot Chili Peppers

I Hot Minute
Rhcp7.jpg

Embrace art designed by Mark Ryden
Studio album by

Ruby-red Hot Chili Peppers
Released September 12, 1995 (1995-09-12)
Recorded June 1994 – Feb 1995
Studio The Sound Factory, Hollywood, California
Genre
  • Funk metal[1]
  • alternative stone[2]
  • difficult rock[3]
  • psychedelic stone[4]
Length 61:14
Label Warner Bros.
Producer Rick Rubin
Ruddy Hot Chili Peppers chronology
The Best of Red Hot Chili Peppers
(1994) 		I Hot Infinitesimal
(1995) 		Nether the Covers: Essential Cerise Hot Chili Peppers
(1998)
Red Hot Chili Peppers studio album chronology
Blood Sugar Sexual activity Magik
(1991) 		Ane Hot Minute
(1995) 		Californication
(1999)
Singles from 1 Hot Minute
  1. "Warped"
    Released: August nine, 1995
  2. "My Friends"
    Released: September xix, 1995
  3. "Plane[5]"
    Released: March 14, 1996
  4. "Shallow Exist Thy Game"
    Released: May 29, 1996
  5. "Coffee Store"
    Released: August 12, 1996

1 Hot Minute is the 6th studio album past American rock ring Red Hot Chili Peppers, released on September 12, 1995 by Warner Bros. Records. The worldwide success of the band'southward previous anthology Claret Sugar Sexual practice Magik (1991) caused guitarist John Frusciante to become uncomfortable with their popularity, eventually quitting mid-tour in 1992. Following a series of short-term replacements, the band hired guitarist Dave Navarro in 1993; information technology was his only studio anthology with the ring. Recording for the album took identify at the Sound Factory in Hollywood from June 1994 to Feb 1995. Information technology marked the 2d collaboration between the band and producer Rick Rubin.

A divergence from the funk of Claret Sugar Sex Magik, One Hot Minute is characterized by heavy metallic riffs and psychedelic rock influences, primarily due to the influence of Navarro, formerly of Jane'south Addiction. Vocalist Anthony Kiedis, who had resumed addictions to cocaine and heroin in 1994 afterwards beingness sober for more than five years, approached his lyricism with a cogitating outlook on drugs and their harsh effects. Equally such, the lyrics reverberate generally nighttime and melancholy themes. Bassist Flea sang atomic number 82 vocals on "Pea".

One Hot Minute sold more than two 1000000 copies and was certified multi-platinum, and reached number four on the US Billboard 200. It also spawned three hit singles: "Warped", "My Friends" and "Aeroplane". Nevertheless, it was considered a commercial disappointment, because information technology sold fewer than half as many copies as Blood Saccharide Sex activity Magik and received much less acclamation. Navarro was fired in 1998 due to his drug use, after which Frusciante returned to the ring.

Background [edit]

Red Hot Chili Peppers had released Blood Sugar Sex Magik in 1991. The album was an instant hit, selling more than vii million copies in the United States, and turned the band into an international sensation.[6] Guitarist John Frusciante was having difficulty coping with the band'due south newfound fame and began to dislike it.[7] Frusciante often argued with his band mates and sabotaged performances.[eight] [9] He began taking heroin and steadily increased his usage of the drug over time.[ten] Frusciante ultimately quit the band in 1992, during the Japanese leg of their tour.[11] [12] Frusciante returned to his habitation in California and became a recluse.[thirteen]

Stunned, the remaining Chili Peppers, who had no suitable replacement, hired Arik Marshall to play the remaining dates subsequently being forced to reschedule.[11] [14] Upon returning to Hollywood, the ring placed an advertizing in the L.A. Weekly for open up guitar auditions, which Kiedis considered to be a waste matter of time.[xv] After several months of unsuccessfully looking for a suitable guitarist, drummer Republic of chad Smith suggested Dave Navarro.[16] He had always been the ring's first choice, but was busy recording Deconstruction with Eric Avery following the 1991 breakdown of Jane's Addiction. Navarro eventually accepted the position afterwards productive jam sessions.[16]

Recording and product [edit]

Navarro playing guitar

Kiedis knew that the ring's audio would inevitably change when Navarro joined.[17] In June 1994, the band entered The Sound Manufacturing plant, a recording studio in Los Angeles, to begin recording its next album. The band completed a few basic tracks before Kiedis began having difficulty singing. He'd been through a dental procedure in which an addictive allaying, Valium, was used; this caused him to relapse, and he once again became dependent on drugs.[xviii] Kiedis had slipped from five years of sobriety and began reusing narcotics he'd sworn never to use again. The band took a short suspension from recording to perform at Woodstock '94, the start evidence Navarro played with the Peppers.[eighteen]

Subsequently resuming production, Navarro questioned the methods of the Peppers' recording procedures. He wondered why such a considerable amount of jamming was involved with the album'southward conception. Various qualms followed, and the process soon became uncomfortable for the band.[19] Months went by, and just pocket-size amounts of material were written. Kiedis made a trip to Chiliad Rapids, Michigan in Dec for Christmas, where his family realized he'd resumed an agile addiction in one case once more. He returned to Hollywood in belatedly January 1995, when he finally finished recording his vocals. The rest of the recording was completed inside the next month.[20]

Writing and limerick [edit]

Because Kiedis had resumed heavy drug employ and Frusciante was no longer present for collaboration, songs were written at a far slower rate.[18] Working with Frusciante had been something Kiedis took for granted: "John Frusciante had been a truthful anomaly when it came to vocal writing. He made it fifty-fifty easier than Hillel Slovak to create music, even though I'd known Hillel for years. I simply figured that was how all guitar players were, that you showed them your lyrics and sang a piddling scrap and the side by side affair y'all knew you had a song. That didn't happen right off the bat with Dave."[eighteen] Drummer Chad Smith suggested it was writer's block that was holding Kiedis dorsum from coming upward with lyrics, withal Kiedis strongly denied this. With the writing process taking too much time and Kiedis returning to his drug habit, for the kickoff fourth dimension on any of the band's albums, Flea, likewise contributing music as usual, wrote some of the lyrics, including "Transcending," his tribute to River Phoenix forth with the intro and outro to "Deep Kick," a song that told the story of his and Kiedis'south youth. Also, Flea sang lead vocals (to "Pea") for the first time on whatever anthology).[xi] [21]

Stylistically, I Hot Minute diverged from the Chili Peppers' previous records—especially Claret Sugar Sex Magik. The album was characterized by prominent use of heavy metallic guitar riffs and hints of psychedelic stone.[22] Navarro, different Flea and Kiedis, was non influenced by funk music. He told Guitar Globe in 1996, "It doesn't really speak to me. But so again, when I'm playing with three other guys who I honey and experience camaraderie with, it's enjoyable to play funk."[23] Navarro'southward own style was influenced mainly past classic rock guitarists such as Eric Clapton, Jimi Hendrix, Jimmy Page, and Carlos Santana, besides every bit gothic rock guitarists Robert Smith and Daniel Ash.[24] Continuing a trend that started on Blood Sugar Sex Magik, Kiedis diverged even farther away from his signature rapping, only doing so on a few tracks. One Hot Minute took almost two years to write, and its recording and production was non a smooth procedure. Navarro felt equally though he was an outsider to the other members.[xviii] His writing in Jane's Addiction was contained from other contributors, whereas the Peppers were a far more than collaborative group.[18] Navarro himself noted that the band's dynamic was more balanced than that of Jane'due south Addiction, which was oft dominated past frontman Perry Farrell.[23]

Overall, One Hot Minute lyrically confronted the dark, melancholy and remorseful feelings Kiedis kept to himself. Many of the songs were written at a fourth dimension when he was hiding his resumed addiction.[18] "Warped" straight faced Kiedis's distraught moods as a hysterical weep for help: "My trend for dependency is offending me/Information technology's upending me/I'm pretending to be potent and free from my dependency/It's warping me." He besides felt disappointed that "no ane had suspected that I'd slipped from my more than v years of sobriety."[25] The track itself was composed of heavy guitar riffs and echoing vocals which attempted to convey a distressed state.[eighteen] "Aeroplane", the album's third single, was more upbeat than many of the album's songs; but it withal contained various references to Kiedis'due south personal issues: "Looking into my own eyes/I can't find the beloved I want/Someone better slap me earlier I beginning to rust/before I start to decompose." The song likewise featured Flea's girl Clara and her kindergarten class singing backing vocals on the last verse.[11] Additionally, "Pea" is targeted at "the guys who trounce the shit out of me [Flea] at the Mayfair on Franklin & Bronson".[26]

"Tearjerker" was a tribute to Nirvana lead singer Kurt Cobain. Kiedis felt Cobain'southward expiry "was an emotional blow, and we all felt information technology. I don't know why everyone on earth felt then shut to that guy; he was dear and endearing and inoffensive in some weird fashion. For all of his screaming and all of his darkness, he was just lovable."[27] "My Friends" addressed more of Kiedis' own somber thoughts rather than those of "his friends":[21] "My friends are so distressed/And continuing on the brink of emptiness/No words I know of to express/This emptiness."

Promotion and release [edit]

While piecing together the final components of the anthology, the band recorded a video for "Warped". They asked Flea's brother-in-law, Gavin Bowden, to direct it. The video characteristic the members of the band scantily clad and involved Kiedis and Navarro kissing towards the end as a way of breaking the monotony of cumbersome video recording. Thinking nothing of information technology, they continued to shoot and finished several days later on.[28] Warner Bros., however, saw the video and instantly wanted it thrown abroad, considering it to be unmarketable and that the osculation and the homoerotic imagery would amerce a big portion of the band's fan base.[28] The band came to a consensus to permit the kiss remain on the final cutting, prompting a backlash from the college segment of their audience, who took offense at the action. Kiedis said of the state of affairs: "If they couldn't accept what we were doing, nosotros didn't need them anymore."[28]

Ane Hot Infinitesimal was released on September 12, 1995. It was certified Gilded merely more than two months later on Nov eleven; since then information technology has gone Double Platinum in the Usa.[6] The album peaked at number iv on the Billboard Height 200.[29] [xxx] "My Friends" peaked at number i on the Modern Rock and Mainstream Rock charts.[31] The song besides peaked at number 29 on the UK Singles Chart, and "Plane" at number xi.[32] Several days following the album's release, Kiedis continued to use drugs despite the numerous interviews he was scheduled to attend.[28]

Disquisitional reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [22]
Entertainment Weekly B+[33]
The Guardian [34]
Los Angeles Times [35]
Mojo [36]
NME 6/10[37]
Q [38]
Rolling Stone [39]
Select 3/5[40]
Spin vii/10[41]

1 Hot Minute was non equally universally well received as Blood Sugar Sex Magik, and was ultimately considered to be a poor follow-upwards. It did, however, receive mixed to positive reviews from critics. Daina Darzin of Rolling Stone said "One Hot Minute dives into the emotionally deep end of drug addiction and loss", and that the album "is a ferociously eclectic and imaginative disc that also presents the band members equally more thoughtful, spiritual—even grown-upward. After a ten plus-year career, they're realizing their potential at last."[39] David Browne of Entertainment Weekly said that "1 Hot Infinitesimal wails and flails like a mosh-pit workout tape, but it also has moments of outright subtlety and maturity." He goes on to praise Kiedis for "keeping his boorish tendencies under command." Browne, however, criticizes the band for "attempts at cosmic philosophy which often trip upward on hippie-dippie sentiments", and some songs "autumn dorsum on tired frat-funk flop sweat."[33] "The Peppers work their ain little patch with considerable expertise," wrote Peter Kane in Q. "The incoming Navarro rarely fails to deliver the goods and upfront the taut brawl of energy going by the proper noun of Anthony Kiedis even so makes for a suitably rubbery-lipped frontman, if not exactly a lovable i."[38] Q likewise included One Hot Minute in its 'best of the yr' roundup: "A jutting, blistering alloy of a skewed ballads and physically intimidating workouts that charge around similar a balderdash on a promise."[42]

AllMusic's Stephen Thomas Erlewine said that "post-obit upwards Claret Sugar Sex Magik proved to exist a hard task for the Red Hot Chili Peppers", and "Navarro's metallic guitar shredding should have added some weight to the Chili Peppers' punk-inflected heavy-guitar funk, but tends to make information technology plodding." Erlewine went on to add together that "past emphasizing the metallic, the funk is gradually phased out of the blend, equally is melody."[22] Robert Christgau gave the anthology a rating of "dud".[43]

"My Friends" was considered past Erlewine to be a blatant effort to concur on to the mainstream audience gained by "Under the Bridge", and that in contrast, "the melodies are weak and the lyrics are even more feeble." The song as well "tries to be a commonage hug for all [of Kiedis's] troubled pals."[22] [33] Rolling Rock, on the other paw, said the song was "lovely", and incorporated a "vaguely folky chorus, and sports the same sad wishfulness of 'Nether the Bridge' and 'Breaking the Girl'." The article went on to praise "Warped" claiming it "mixes harrowing lyrics with a multi-toned, layered intro and a whirling dervish of noises and big-rock rhythms surfing through and over large, funky hooks. It'due south like, well, a drug rush." Rolling Rock went on to say that the championship track was "funky and fun. It's nigh love and sex. What the hell. Some things don't take to alter."[39] Entertainment Weekly said "some of these songs last a piddling too long and could have benefited from a trimming", though they credited Kiedis for sounding "virtually spiritual" on "Falling into Grace".[33]

Unreleased documentary [edit]

In 1994 and 1995 the band, forth with manager Gavin Bowden, began piece of work on a documentary, Deep Kicking, named after the 3rd track on the album. The documentary was expected to be similar to Funky Monks, which documented the making of Blood Sugar Sex Magik, although it would likewise feature mini-films intercut featuring each member of the band. Some footage from the documentary has been released on the internet including Anthony'southward segment along with a segment of the band with the Velvet Underground'due south "I'm Waiting for the Man" playing over the footage. Footage from the in-studio version of the "My Friends" music video besides came from this shoot. It is unknown if the project was always completed and if it was, why Warner never released information technology.[44] [45] [46]

Tour [edit]

The One Hot Minute tour began several days later on the release of the album. The band opened the tour with a European leg. Kiedis felt that every bit a musician, he was condign somewhat lackluster.[47] The short European leg ended in early November, and the U.S. portion was scheduled to begin 10 days later; however, it was postponed until early February.[47] A few shows into the U.S. leg, Kiedis injured his leg desperately while engaging in what he calls "eyes-airtight robotic dancing." He tripped over a monitor and brutal off the phase, ending up hanging past his dogie from his microphone cable, resulting in a bandage which he wore for the adjacent two months.[47] Kiedis reflected that it "was nice to see that people were still interested in coming out to see what we do," equally in that location'd been a four-year gap since the release of Blood Saccharide Sex Magik. Following the conclusion of the U.Southward. bout, the band took 2 weeks off earlier several Australia and New Zealand performances. The Peppers and so played at the Tibetan Freedom Concert in San Francisco in June, before finishing the tour in Europe.[47]

Kiedis had remained sober the entire tour and maintained positive disposition during shows. Navarro, all the same, was growing tired of touring, and that was beginning to grate on his young man band-mates.[47] Kiedis suffered an boosted injury in Prague later falling off the stage while attempting to execute a dorsum flip. He was forced to wear a back brace for the adjacent few shows, which restricted his actions to the expanse around his microphone. After shows in Paris and London, the band returned home to Los Angeles. Kiedis began taking drugs once again, though he forced himself to discontinue afterward several weeks.[47] The band was then asked to play in the Due north Pole for roughly 100 contest winners of a concert prepare past Molson, a Canadian beer company. While the show was mildly motivating to the band, they returned domicile later on 2 days.[48]

Months went past without any scheduled concerts due to the anthology's poor sales.[49] Post-obit another relapse and a stint in rehab, Kiedis and the remainder of the band prepared for a summertime tour, their first in most seven months. Before the tour began, Kiedis had a motorcycle blow and was rushed to the hospital subsequently severely injuring his mitt. Due to his drug addiction, information technology took 7 doses of morphine before the pain was assuaged. Post-obit discharge from the hospital, he was forced to wear a total-arm cast for several months, resulting in the cancellation of all remaining scheduled concerts. Halfway through Kiedis'due south recovery, the band was asked to play the Fuji Rock Festival in July 1997. Past that time, Kiedis's bandage had receded down to the elbow and he felt well enough to play.[50] A large typhoon had been forecast to hit the festival several hours earlier the show. The concert took place anyway, and when the Chili Peppers got on phase to play, the audience was being soaked in torrential rains, and the band found it virtually impossible to play their instruments. After eight songs, the lighting and sound equipment was torn from the stage and the band was obliged to an impromptu finish.[xi] [51]

Follow-up album and Navarro'southward departure [edit]

Returning home, the Chili Peppers parted ways and, for the nigh part, remained secluded from each other through the remainder of 1997. No new material was written during that fourth dimension, and information technology was non until the beginning of 1998 that the band began rehearsal.[51] At that point, Navarro had go dependent on drugs, with Kiedis also struggling to remain clean. The band decided they would take a talk with Navarro and attempt to convince him to enter rehab. The discussion escalated into a heated dispute. In April 2010, Navarro discussed this incident, stating that: "One was my drug use at the time. The other was musical differences. Anthony says it was because I tripped and fell over an amp while on drugs. I say that he was on more than drugs than me at that signal. Nosotros both had a loose human relationship with reality. Who do yous want to believe?"[52]

The band made an endeavor to brainstorm writing for a follow-up and had written and began recording a song titled "Circumvolve of the Noose", but it was never completed. The song, the last to feature guitar work from Navarro, was a tribute to the late qawwali-devotional vocalist Nusrat Fateh Ali Khan. Navarro described the song every bit pop and dirge-like, and said information technology was 1 of his favorite songs he created with the band. He said: "The best style I tin can draw information technology is information technology'southward similar pepped-up '60s folk with '90s ideals, but I'd hate to label information technology equally folk because it's not, it moves."[53] According to Flea, information technology contained a sample of Nusrat Fateh Ali Khan.[54] On February three, 2016, a rough mix of "Circle of the Noose," recorded on March 16, 1998, was leaked to the cyberspace.[55]

At this signal in 1998, Kiedis and Flea decided information technology was time to fire their guitarist. Navarro was furious when confronted by Kiedis and Flea, but eventually accustomed his termination.[11] [56] The Peppers were fighting, and on the verge of breaking up. Flea was beginning to question the band's future and thought information technology may be necessary to break the band up.[56] He made one final endeavor to keep the band together, asking Frusciante to rejoin. Frusciante had recently completed a drug rehabilitation programme after more than than 5 years of heroin addiction, and gladly accustomed the invitation.[11]

During the tour for 1 Hot Minute, all songs from the album except "One Hot Minute," "Tearjerker" and "Falling Into Grace" were played. Those three have never been played live by the ring. Every bit of 2016, "Pea" and "Aeroplane" are the only songs from 1 Hot Minute the Peppers have played in total since Navarro left the band.[57] The band did, notwithstanding, tease "My Friends," "Let'south Make Evil" and "Walkabout" during the I'k With You Globe Tour, and "Deep Boot" was teased during The Getaway Globe Tour. Chad Smith was asked by fans during a February 2014 online interview about the band's reasons for non performing the songs, and he responded past saying "We don't actually feel that connected to that tape anymore. No special reason, non to say we'd never play those songs, but we don't feel that emotionally continued to that music right at present."[58] On October two, 2021, Smith and Navarro performed "My Friends" together for the showtime fourth dimension in 25 years at the Ohana Festival. They were joined by Taylor Hawkins on vocals, Pat Smear on guitar and Chris Chaney on bass.[59]

Track listing [edit]

All songs written by Red Hot Chili Peppers (Flea, Kiedis, Navarro, Smith).

No. Title Length
i. "Warped" 5:04
2. "Aeroplane" 4:44
3. "Deep Kick" half-dozen:34
4. "My Friends" 4:03
five. "Coffee Shop" three:08
6. "Pea" ane:46
vii. "One Big Mob" 6:01
8. "Walkabout" 5:07
nine. "Tearjerker" iv:19
10. "One Hot Minute" vi:25
11. "Falling into Grace" iii:47
12. "Shallow Be Thy Game" four:33
13. "Transcending" v:43
Japanese CD edition bonus track
No. Title Length
14. "Melancholy Mechanics" 4:31
iTunes digital bonus tracks
No. Title Length
14. "Let's Make Evil" 5:17
15. "Stretch You Out" 6:18
xvi. "Bob" 5:43

Album outtakes [edit]

Thirteen songs from the One Hot Infinitesimal sessions fabricated it to the terminal cut of the album. "Melancholy Mechanics" was released as a bonus rail on the Japanese pressing of the album, equally well as a b-side to the "Warped" single, and "Let's Make Evil" and "Stretch" (originally continued to the terminate of "One Big Mob") were released on the "My Friends" single. "Bob" (a song almost shut friend Bob Forrest) would finally surface xi years later on as an iTunes bonus track in 2006. The song features percussion by Stephen Perkins. "Blender" was one of two songs ("Stretch" being the other) that was dropped from the album's last cut at the terminal minute. The vocal has never been released.[60] "The Intimidator" and "Slow Funk," 2 songs mentioned in interviews by Chad Smith, accept never been released. It is unknown if either vocal was a working championship for another released song.

The Ruby Hot Chili Peppers cover of the 1970 John Lennon song "I Plant Out", released on the 1995 tribute album Working Class Hero: A Tribute to John Lennon, is speculated by many to take been recorded during the Ane Hot Minute sessions, because Rick Rubin is credited as the recording's producer, but this has not been confirmed.

An unsequenced/unmastered version of the album exists, featuring extended jams, more than lyrics, longer intros/outros and some studio chatter.[61]

Personnel [edit]

Red Hot Chili Peppers

  • Anthony Kiedis – lead vocals
  • Dave Navarro – guitars, backing vocals
  • Flea – bass guitar, backing vocals, lead vocals on "Pea" and co-atomic number 82 vocals on "Deep Kick"
  • Chad Smith – drums, percussion

Additional musicians [57]

  • Keith "Tree" Barry – violin on "Tearjerker"
  • Jimmy Boyle – backing vocals on "1 Large Mob"
  • Louis Mathieu - backing vocals on "Ane Big Mob"
  • Lenny Castro – percussion on "Walkabout", "My Friends", "One Hot Minute", "Deep Kick", and "Tearjerker"
  • Aimee Echo – bankroll vocals on "One Hot Minute", "1 Big Mob"
  • Gurmukh Kaur Khalsa – chants on "Falling into Grace"
  • John Lurie – harmonica on "One Hot Infinitesimal"
  • Stephen Perkins – percussion on "One Big Mob", "Warped" and "Bob" (iTunes bonus track)
  • Kristen Vigard – backing vocals on "Falling into Grace"
  • Gabriel James Navarro - crying on "One Big Mob"
  • The Aeroplane Kids - backing vocals on "Airplane"

Production

  • Stephen Marcussen – mastering engineer
  • Rick Rubin – producer
  • Dave Sardy – mixing engineer, recording engineer
  • Dave Schiffman – engineer
  • Don C. Tyler – digital editor

Pattern

  • Mark Ryden – album artwork

Charts [edit]

Certifications [edit]

Notes [edit]

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  2. ^ "Ruby Hot Chili Peppers To Play Auckland In January". UnderTheRadarNZ. July xvi, 2012. Archived from the original on March 4, 2016. Retrieved Baronial 16, 2015.
  3. ^ Foege, Alec (October nineteen, 1995). "Red Hot Chili Peppers: Sound Bodies, Warped Minds". Rolling Stone. Archived from the original on June 27, 2020. Retrieved August 16, 2015.
  4. ^ Schallau, Bob. "The 10 Best Stone Albums of 1995". About.com. Archived from the original on March 30, 2015. Retrieved January 16, 2017.
  5. ^ "RHCP Timeline". Archived from the original on February 6, 2015. Retrieved August xvi, 2015.
  6. ^ a b "Certification search". RIAA. Archived from the original on January seven, 2013. Retrieved September 21, 2007.
  7. ^ Gabriella. (July 1999). ""Interview with the Crimson Hot Chili Peppers". The Californication of John Frusciante". NY Rock. Archived from the original on September 21, 2007. Retrieved September 11, 2007.
  8. ^ Kiedis, Sloman, 2004. p. 288
  9. ^ Kiedis, Sloman, 2004. pp. 300–301
  10. ^ Kiedis, Sloman, 2004. p. 290
  11. ^ a b c d east f g Red Hot Chili Peppers; VH1's "Behind the Music". 2002.
  12. ^ Kiedis, Sloman, 2004. p. 295
  13. ^ Zafiais, Alex (March 24, 2004). "Blood Sugar Sex activity Magic: Damaged Genius John Frusciante is Dorsum, Once more!". Papermag. Archived from the original on July 18, 2007. Retrieved November half-dozen, 2007.
  14. ^ Kiedis, Sloman, 2004. pp. 298–304
  15. ^ Kiedis, Sloman, 2004. p. 311
  16. ^ a b Kiedis, Sloman, 2004. p. 312
  17. ^ Kiedis, Sloman, 2004. p. 313
  18. ^ a b c d e f g h Kiedis, Sloman, 2004. pp. 315–323
  19. ^ Kiedis, Sloman, 2004. p. 328
  20. ^ Kiedis, Sloman, 2004. pp. 336–342
  21. ^ a b Kiedis, Sloman, 2004. pp. 341–344
  22. ^ a b c d Erlewine, Stephen Thomas. "One Hot Minute – Red Hot Chili Peppers". AllMusic. Archived from the original on June 7, 2012. Retrieved September 18, 2007.
  23. ^ a b di Perna, Alan. "Ruby Hot and Bothered". Guitar World. March 1996.
  24. ^ di Perna, Alan. "Birth of a Nation". Guitar Earth. March 1996.
  25. ^ Kiedis, Sloman, 2004. p. 325
  26. ^ Newton, Steve (June fourteen, 2014). "Chili Peppers bass god Flea won't answer to Mr. Ugly Stinky". Ear of Newt. Archived from the original on September nine, 2014. Retrieved March 28, 2019.
  27. ^ Kiedis, Sloman, 2004. p. 329
  28. ^ a b c d Kiedis, Sloman, 2004. pp. 347–349
  29. ^ "One Hot Minute album charting". Billboard. Archived from the original on October 13, 2007. Retrieved September 22, 2007.
  30. ^ "Red Hot Chili Peppers' singles charts". Allmusic. Retrieved September 22, 2007.
  31. ^ "Ane Hot Infinitesimal singles' charting". Allmusic. Retrieved September 23, 2007.
  32. ^ "UK Top xl charts". Everyhit. Archived from the original on October 29, 2019. Retrieved September 22, 2007.
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  34. ^ Wollaston, Sam (September fifteen, 1995). "Red Hot Chili Peppers: I Hot Minute (Warner Bros.)". The Guardian.
  35. ^ Ali, Lorraine (September x, 1995). "The Red Hot Chili Peppers 'One Hot Minute' Warner Bros". Los Angeles Times. Archived from the original on February 5, 2017. Retrieved February 5, 2017.
  36. ^ Eccleston, Dan (July 2004). "The all-time of Cerise Hot Chili Peppers". Mojo. No. 128. p. 75.
  37. ^ Patterson, Sylvia (September 9, 1995). "Seconds Rate". NME. p. 48.
  38. ^ a b Kane, Peter (October 1995). "Red Hot Chili Peppers: One Hot Infinitesimal". Q. No. 109. p. 118.
  39. ^ a b c Darzin, Daina (Oct 5, 1995). "I Hot Minute". Rolling Stone. Archived from the original on November 22, 2007. Retrieved September 22, 2007.
  40. ^ Collis, Clark (Oct 1995). "Ruddy Hot Chili Peppers: One Hot Minute". Select. No. 64.
  41. ^ Norris, Chris (November 1995). "Red Hot Chili Peppers: I Hot Minute". Spin. Vol. eleven, no. 8. p. 119. Retrieved February 5, 2017.
  42. ^ Q, February 1996
  43. ^ Christgau, Robert (2000). "Red Hot Chili Peppers: One Hot Infinitesimal". Christgau'south Consumer Guide: Albums of the '90s. St. Martin'due south Griffin. ISBN0-312-24560-2 . Retrieved May four, 2020.
  44. ^ "Deep Kick – Boob tube & Documentaries – Murex Edit". Murexfilms.com. Archived from the original on April 7, 2014. Retrieved April 9, 2013.
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References [edit]

  • Kiedis, Anthony; Sloman, Larry (October 6, 2004). Scar Tissue. Hyperion. ISBN978-1-4013-0101-nine.

External links [edit]

  • One Hot Minute at Discogs (listing of releases)

smileyboarra.blogspot.com

Source: https://en.wikipedia.org/wiki/One_Hot_Minute

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